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Live
Broadcast is where we began. It is still where we are at our best. We understand live production at a level that only comes from decades of doing it; the complexity, the contingencies, the precision required to put content in front of an audience anywhere in the world, in real time, without failure.
Whether you need a single-location stream to 500 colleagues or a multi-language broadcast reaching millions across dozens of countries, we have the technology, the team and the track record to deliver it.
What we deliver
Live streaming
broadcast-quality streams to any platform, any scale
Social streaming
real-time delivery to LinkedIn, YouTube, Facebook and beyond
Content distribution
getting your content to every screen that matters
Multi-language broadcasting
simultaneous interpretation and localised delivery
Live and virtual studios
custom-built environments for remote and hybrid productions
Satellite and IP links
global connectivity with technical redundancy built in
Crew and technical specialists
experienced broadcast teams, wherever you need them
Seen it. Done it. Delivered it.
From fight nights to satellite launches; no signal lost, no audience missed.
We've delivered live broadcast for XFC's Xtreme Fighting Championships, transforming the RP Funding Centre into a premium fight night venue — eight cameras, complex audio integration, dedicated commentary positions for TV sports broadcasters, and simultaneous streaming to global audiences on YouTube, Facebook and Instagram. Every angle covered, every second live.
We've managed real-time multi-location streaming across seven international cities for a five-day global technology conference; coordinating producers, sound engineers and streaming specialists across London, Bucharest, Singapore, Bangalore, Sydney, Tokyo and San Jose, working across time zones with a redundant stream running in parallel to guarantee transmission.
We've produced ESA's global EarthCARE satellite launch — a mission broadcast reaching audiences across ESA's worldwide network; and delivered Asteroid Day 2020 in six languages, recorded remotely across three simultaneous editors during lockdown, with subtitles turned around in ten days.
Whether the challenge is bandwidth, geography, platform or deadline, the standard we hold ourselves to doesn't flex. The brief shapes the method. The signal never drops.
